Proustless

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‘The true paradises are the paradises we have lost” -Marcel Proust

We both liked Proust.
Your Proust was my
Proust. We both
thrilled to his words.
Perhaps, that is
where we should
start with Proust.

I want to believe
our hour has not
passed. That
your days could
be part of mine
once again,
even though our
clock stopped
ticking ages ago.
I long to bag up
our past hurts like
leaves, to burn
them, and not
choke on the
sour fumes.

I know our worlds
broke off in a
windstorm of
anger,
accusations,
and the
harshest of
words.

We’ve both been in
different woods for
years now. How
long must the
firs remain a bitter
green? The hours
and days too
numerous to
measure.

I thought I had
healed,
but lately when I
hear
the birds singing
it is a stricken sound,
one of regret
and nostalgia. I know
I’m better off not
attempting to cross
the ridge to your
forest.
I know I’m
mostly likely to be
met with cedar
falling on my head,
The sound of your
chainsaw sputtering
on the breeze. Dead
leaves and debris
everywhere.

I know the valley
between
us is deep. Yet, I
foolishly hope that
the
shadows could give
over to light.
A second chance,
where
the flowers turn
vibrant
in the spring. And
the pine
trees look toward the
horizon.
That we could take
the
fallen wood and
rebuild
the room of our
friendship,

Sit together and read
from Proust, thrill
to his words once
more. I know
it’s just a dream,
The light has sunk.
It died
where it ended,
with
the blood of the lamb,
a cross on the
back to bare.
Miscommunication,
Mixed signals and
metaphors.
There’s nothing left
to build upon,
just a sculptured
martyr
and the ghost of
Swann.

Your Proust is
my Proust, no more.

-Tosha Michelle

The Dance

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I’m a fool for words.
I can’t stay away from
them. They define me
and defile me. We dance
out of step, out of time.
Occasionally, we find
our rhythm. Dancing
the language of the
soul. At those times
I like to kick my heels
up in a perfect dive.

I must confess. I’m
envious and in awe
of those dancers who
never seem to stumble,
always in sync with their
poetic voice. Never any
near misses.

I’ll never be the Steve Jobs
of poetry. My words owned
and beloved by the masses.
I’ll never master
Shakespeare’s waltz,
but I will keep swaying,
even trying is a sort
of dance

Perhaps, it’s not so much
about the dance but the
intentions of the dance.
The potential of fluidity
in our bodies as we move
across the green grass

This is the world I
feel most at home in.
My bare feet not
dancing on a rooftop
over a city that glistens
but rooted to the ground.

I’ll never stop dancing.
I will dance, my small
dance of corn maze art
for myself and for those
dancing fools like me
smitten with words.

-Tosha Michelle

Hands Over Eyes.

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Abstract art by Yours Unruly

Hands Over Eyes

Stand behind me
Take your hands and
cover my eyes, so
I don’t see all
those doubts that
take flight in me,
so I have nothing new
to fear. No new
heartache to blindside me
Loss always coming
unannounced.

Whisper filthy things
in my ear, so it can
breathe deep your words,
drowning out the
voices in my head
screaming “be cautious”
Imploring me to not
be so reckless with
another one so
intoxicating.

Give me new skin
to touch
so I no longer feel
like a castaway
in dark harbor
full of scabs and scales

Let me feel your warmth,
as hope slips inside me.
Face to face now.
You teach me that
everything opens
with time- eyes. minds,
and even a heart damaged
by love undone.

-Tosha Michelle

Exquisite Hate

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Hate can be orgasmic
There’s a certain pleasure
that comes from loathing.
For example, I hate
Jason Derulo’s music
I hate it with an almost
palpable pleasure.
I equate it to the delight one
feels when shot nerves
reach their peak and
everything explodes
Throat, voice, heart.
Climaxing in a scream
that sounds almost as
awful and as sexual
as “Talk Dirty to Me”

There’s bliss in the
release. Freud might suggest
that perhaps Derulo’s music
is just a sign of something
deeper. He might say,
“Think back to your father”
Did I mention I hate Freud?
Electra complex this, creep.

I hate spinach, the ungodly
noise of motorcycles.
the word mucus, fake flowers
Nazis, porcelain dolls,
the scent of jasmine,
Fox News, texting
pumpkin spiced anything.
People who prefer socializing
to reading, the feel of wet hair,
Wimpy, whiny men.
I adore hating them.

Detesting is delightful
It tastes delectable on
my acerbic tongue
I’m addicted to abhorring.
And love loving
so much more for it.

-Tosha Michelle

Crushed Flowers

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And these are my flaws
My vices.
Impatience, a tongue
sharp as a guillotine.
Caffeine. Chocolate.
Sarcasm on every occasion.
And unquenchable desire
to be loved.
A heart that is an
exhibitionist who
weeps upon
my sleeve

A fear of monochrome
colors, thunder,
the undone,
petty gossip
and letting go.
A hunger to be kissed
often and with fervor.
An awkward shyness
around new people.
A fascination with
the lure of a snowbound
life.

Not being Christian
enough to turn the
other cheek or Zen
enough to just be still.
The knowledge that my
life is unimportant
in a world with a noose
around its neck but
writing about it
anyway.

I often prefer the company
of books and my cat to
other human beings.
I live nside a cluttered
mind in a pristine house.

And not listening closely
to my Granny and her
treasury of wise words
Most which I have
forgotten, but
I do recall her saying
you must learn
to take what will
be with grace,
that our flaws
bind us
to humanity,
and to never forget
even crushed
flowers are beautiful.

Static

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People with nothing to say

Emotions running high

Reason running low

Verbs and nouns

with no substance

Adverbs and adjectives

with no pretext

Spilling out

on an anvil of facsimiles

 

Slowly the chasm

grows until

there’s nothing to transmit

Just words without sound.  

 

Solo

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When my heart becomes
drained from voices
and sound, the anchor
of social interaction
crushing me into stone.
I go in search
of solitary exclusion

My ship sailing away
into the gray.
The night opens
for me.
My soul’s backbone
chilled by the wind.
fingerprints unseen.

I hide out under
a hard luck moon.
In those moments
I love no one.
I hate no one.
I’m indifferent

Lost in the stillness
The shadows follow me.
They write in pencil
taking notes in
a black journal
chronicling the sadness
that resides in me.

Something lingers
in the silence, a ghost,
an echo of compassion
creeping up and taking
possession of my bones

Eventually the stars
catch my eye
giving me a provocative
wink. Pointing their
celestial fingers at me.

Singing back
my lost lullaby.
reminding me the
universe can be
mysterious and grand.

Embracing me in humanity
Folding me back
into gold,
Melting the ice
from the marrow
of my bones.

Telling me to go home
that it’s late, but not
inside me, that I can
learn to dwell.
That the time has not
come to say goodbye,
only goodnight.

-Tosha Michelle

The Flood Came

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The mist whispers “come closer”
as the rain falls down,
The sound invading my heart
Sadness huddles in the leaves,
waiting to burst forth with the wind.
brushing my cheeks
finding purchase within my bones.
Bringing me to my knees
lost in a puddle of bruises
My red rimmed eyes
trying to breach the light
Darkness consumes me
Literally.
Figuratively.
The kind of darkness
I feel with every breath
filling my lungs and
slowly suffocating my soul.
There’s no reprieve from the darkness
only self inflicted torture
of a tear stained mind.

Papa

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At eight years old.
I hold my Granny’s hand
The one that use to hold
my Papa’s hand
The one she
held for 32 years
The one she won’t
hold again.
I wonder how much
different mine must feel

We stand in a darkened room
Sharp with the taste
of ash and loss,
full of family and flowers
Tissues to cheek,
eyes red.
Grief pouring out,
like the holy spirit
at a Pentecostal revival

My Papa in his coffin.
dead. I struggle to
understand.
The adults talk of
angels wings, gossamer,
and light
Remarking how peaceful
he looks.
Granny lays her head
on mine and weeps

I place a rose
in Papa’s cold hand,
and kiss his cheek
Hoping he will
answer me
“Papa, I love you.
I’ll take care
of Granny
and hold her hand,
until she sees you again. “

In those few fragment moments
where consciousness
and grief collide.
I understand loss’ lexicon
That is comes off
like synthetic fabric
fused to a body
in a fire
taking skin with it

-Tosha Michelle

On Words and Self Doubt

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My poetry always exposes
the imperfect fit of my skin,
with words that run off
with the seeds of pretext.
I’m left behind chasing
an existential crisis,
no fairy tales to quell
my anxieties

Choking on a parched narrative
thinking too much.
about thinking
Too much “who?” too much me
not enough “what can I do?”

My shoes moist
and full of warm blood
I take them off-revealing my blisters
Exhausted, I sit down
and breathe in despair’s air.
watching the newspaper,
and leaves long dead, fly by me.

The turmoil traffic,
thumb to nose, mocking me,
the dark taunting me
with Medusa’s stare.
Some fool shinning a light
(as if that could make a difference)

I sharpen my lyrical claws,
fist fighting my wit,
cursing stupid cliches
telling banality to f*** off.
Wondering if that’s
how written language will end.
with a “bee in your bonnet”
and impotent pen

Waiting…waiting…waiting

for words and their Judas betrayal
to find me,
so we can release our flaws,
like a dying hooker’s last confessional,

Perhaps, this time- words
and I will join in semantic fusion,
an authentic coupling, anointed
with a whispered touch,
fertile in rhythm and verse
stirring to stir..stirred to stir.

Birthing the poetic molecular structure.
the genetic code of the spirit
Wearing multiple faces, places,
memories, hearts, and loves.
Dressed with an imagination affluent in grief

Maybe this time our monologue of loneliness and self doubt will make the soul’s late late show.

-Tosha Michelle