What Does The Fox Say?-An Interview with Gabriel’s Inferno Author, Sylvain Reynard

  Sylvain Reynard’s trilogy, Gabriel’s Inferno, is creating enough buzz of late to rival E.L. James’ Fifty Shades of Grey. Both series have roots in Twilight fan fiction but that’s where the similarities end. Reynard’s series stands on its own and bears little resemblance to the Twilight saga. Gabriel’s Inferno casts a spell that is distinctly its own romantic potion of style and syntax. A spell that both USA Today and The New York Times have fallen under, not to mention the hordes of readers around the globe who are bewitched by the story of Professor Gabriel Emerson and his beloved Julianne. If you haven’t had the pleasure of getting acquainted with these characters you’re missing out on a compelling love story with themes of hope, forgiveness and redemption. The trilogy also pays homage to one the greatest works of the Western World –Dante’s Divine Comedy. Through Gabriel and Julianne we get to rediscover Dante’s love for Beatrice and the idea that all deep love is tinged with regret, nostalgia and loss, but also hope. Gabriel’s Inferno is a story that will touch you to your core and leave you wanting more, a story that is smart, fully formed and with enough depth and insight into the human condition to make the reading experience resonate and linger.

Who is the man behind the curtain, the mastermind behind this great work? No one knows. Sylvain Reynard is a pen name. “Sylvain” is Latin for woodland, “renard”is French for fox.  Beyond the pen name, we know he’s Canadian, a tad shy and kind to a fault. I’ve never witnessed an author more accommodating to his readers. We also know he has the gift of snark. You have to love that. What more do we need to know?  The important thing is the art of his creation. The man can write fiction that enthralls.   Keeping his identity a secret is ingenious, sly as fox., even if he’s shy as a rabbit. There’s the allure of the unknown. Look at the cultish adoration J.D. Salinger elicited by being private and inaccessible.  The readers can make Sylvain Reynard whomever they want him to be. The mystery only creates more buzz for the trilogy. Who among us doesn’t like a good puzzle?

Reynard, Sylvain Reynard (shaken not stirred) was gracious enough to agree to a written interview with yours truly. I’m not sure if it was out of the goodness of his heart or because I stole his argyle sock collection and am holding it for ransom. (Fans of the books will get that). At any rate I was delighted. I’m in awe of his intellect and his word-building expertise. Reynard is top drawer. Prepare to be dazzled.

SR, thanks for taking the time to answer my questions. Let’s begin with how does it feel to go from writing Twilight fan fiction to being a bestselling author?  (And by the way were you Team Edward or Team Jacob?)

Hello Tosha. It’s a pleasure to be with you and your readers. Happy New Year.

I’m very fortunate to have been part of a writing community that was generous and supportive.  Many of my fan fiction readers are still reading and supporting my work. Of course, I’m grateful for all my readers, both long time readers and new ones.

(Parenthetically, it should be noted that I was a Volturi supporter and longed for a greater back story on those characters …)

What’s been the most challenging and rewarding elements of writing the Gabriel’s Inferno trilogy? 

 I’ve really enjoyed interacting with readers from around the world – some of whom are reading the books in other languages – and listening to their reactions. On most days, I interact with readers on all the continents except Antarctica. (And if you are a reader in Antarctica, please drop me a line. I’d like to hear from you)

To what extent do you feel your fiction is autobiographical? How do your life experiences, impressions and emotions impact your writing?

Certainly my life experiences shape my writing.  But I wouldn’t say my novels are biographical. Think of me as the quiet person in the railway station or airport who is watching everyone else with curiosity, wondering what their stories are.

How has your writing evolved since the first novel of the trilogy? Would you like to branch out into other genres down the line?

Hopefully, my writing has improved technically while maintaining my uniqueness. With my next project, I’m moving into the paranormal genre, but I have a couple of other projects I’ve been working on as well and one of them is a young adult novel.

  Gabriel and Julianne spark so much passion in your readers. What it is about these characters that resonates so strongly?

Both characters are imperfect and in some cases, their imperfections can be frustrating. But human beings are frustrating. We’ve all encountered those who don’t behave the way we would wish them to, but somehow if we care about them, we want them to find happiness and redemption. I think it’s the same with Gabriel and Julianne. Readers are cheering them on.

 You were able to incorporate the arts, literature and cultural references into the books in a masterful way. Did you hope to not only entertain but educate through your work?

Usually when I add these references to the narrative it’s to illustrate a point. But I’ve heard from a lot of readers who were unfamiliar with some of the art and music mentioned in the narrative and were interested in learning more about them. I’ve had some great discussions with readers about the cultural references.

If Gabriel’s Inferno is made into a feature film, would you write the screenplay? If so, I know that often in film, the movie ends up telling a very different story than the original screenplay. Would you be worried about maintaining your authentic voice with your characters?

I can’t comment on film at the moment. But I think most authors would agree that if you partner with a producer who shares your enthusiasm for the subject matter, they will treat the characters and the narrative with respect.

Now for what everybody wants to know about any good writer: Who do you read? Not in a causal “I’ll get back to this book in a few days” but, in “I must breathe, eat and sleep this novel?”

I tend to favour nineteenth century fiction. I also read non-fictional historical and cultural works. I enjoyed Steve Jobs’ biography, for example. But one of the best books I’ve read in the past ten years is “Shake Hands with the Devil” by Romeo Dallaire. It’s his account of serving with the UN Mission to Rwanda in the 1990s.  It really affected me and changed my outlook on peacekeeping, the UN, and the western world’s attitude toward Africa.

Tell us about your upcoming paranormal romance book The Raven?

Thanks for asking about it, Tosha.  “The Raven” is set in contemporary Florence and focuses on two worlds – the world readers were introduced to in The Gabriel Series – and the dark, secret underworld that lies in its shadows. Readers can learn more about it here: 

 http://www.sylvainreynard.com/2013/11/my-next-novel-revealed.html

I know you have several charities that you are involved in? Could you expound on that please.

Thanks for mentioning this. I try to use my platform as a writer to raise awareness of various causes and charities. Two organizations that I support are The Salvation Army and Covenant House. Both groups go places many of us can’t or won’t go, to bring hope and help to those in need. They’re worth supporting and they always need donations of goods and time.

And now for a few questions to satisfy our readers’ curiosity, and by readers, I mean me.

Harry Potter or Lord of the Rings

Lord of the Rings

Heathcliff  or Mr. Darcy?

 I’m closer to Superman, I think, but I appreciate the compliment.

Swann’s Way or The Picture of Dorian Gray?  Neither 😉

Literature of pleasure, of utility, both or neither?  Both, in balance.

What‘s your greatest extravagance? 

 Usually it’s books. But I have a terrible weakness for Apple products.

Describe yourself in three words, omitting the word private and its synonyms

I’m quite average.

How would you rate this interview on a scale of argyle socks? 1 being these don’t match my suit, they’re hideous, take them away, to 10 being dear Lord, what a lovely pair of socks. I’ll be sure to wear them again.

I’d rate it 10/10. It’s been a pleasure speaking with you and your readers. Thank you for the kind invitation and I wish everyone a happy and prosperous 2014, SR.

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There you have it folks. I have to extend my thanks to SR and to the lovely Nina Bocci for setting the interview up.

You can find the mild mannered man of steel on the web at the following locations.

http://www.sylvainreynard.com/

https://twitter.com/sylvainreynard

https://www.facebook.com/AuthorSylvainReynard

And his official fan page

http://www.argyleempire.com/

You can purchase the trilogy through Amazon and Barnes & Noble

Synopsis

 “Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption.

When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide.

An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love.”

PicMonkey Collage

 

Life is creation Love is existence. Time the catalyst.

 

I have my moments of boisterous and loud behavior,

usually, when I am angry or excited over the prospect

of chocolate, or a new book, but mostly I prefer to live

a reflective quiet existence.  I freely give my time and

resources and often share more than I should. I

sometimes find myself over extended. I love to analyze

things to death. I am a classic over thinker, digging and

examining issues, putting myself in the heart of

difficult situations.  It makes for an interesting life.

but I feel strongly that love should be given freely

and without fear, or expectations.

I truly believe we are not alone in this world. 

Everything is alive.  Everything is conscious.

Everyone is our friend. We are all part of the

universe; we are one and it’s up to us to make the world

a better place. Life is in us and all around us. 

“The really important kind of freedom involves

attention and awareness and discipline, and being able

truly to care about other people and to sacrifice for

them over and over in myriad petty, unsexy ways every

day.”

-David Foster Wallace.

“The world we are experiencing today is the result of

our collective consciousness, and if we want a new

world, each of us must start taking responsibility for

helping create it.”

—Rosemary Fillmore Rhea

Sage Wisdom (cough. cough) by Yours Truly

1. On the days you can’t seem to please anyone, please yourself.

2. Everyone has baggage. It’s just that some of ours comes in a carry on while others comes in a tank of a suitcase.

3. You can never change a man so don’t even try. Love him as he is and save your energy for more important endeavors: like eating Godiva, shopping, and hiding his body.

4. Justice may be for all, but seldom is.

5. Childbirth is a walk in the park compared to child rearing.

6. Less fear. More action.

7. Music can soothe the soul unless it is hip hop; then I just want to brain someone.

8. When in Hot Topic, be sure to distinguish between the door and glass window before charging toward what you think is the exit. Trust me, your head will thank you. Also, take along a friend and children who will actaully stop you from the aforementioned instead of laughing at you like you are the funniest thing since Bridesmaids, the movie. OK, never mind that film was terrible, but you get the point.

9. Unsolicited advice is rarely appreciated unless the person you are giving it to is hammered at the time.

10. Wearing freakishly high heels to a standing room only concert is never a good idea; just ask my feet.

11.. Kindness is more important than having the last word unless, you are dealing with a jerk; then go ahead get in the last dig:)

12. Money does not buy happiness, but it can buy a boatload of chocolate.

13. Love, not time, heals all wounds.

14. Bitterness and resentment will destroy your soul. Let it go!

15. I can’t help how I feel, but I can help how I act on my feelings.

16. Accept and value yourself. This will bring you happiness. Embrace the good and the bad. I think we will always care what others think of us. But the key it to stop worrying about it and live our lives on our terms. Love the ones who matter. Leave out the rest.

17. It’s not what you say, it is what you do. So carry a big stick. I know Huh???

18. No matter how much you care, some people are just A-holes.

19. If you are a celebrity, sadly, you can get away with pretty much anything.

20. Southern girls do it better. Note, I am not sure what “it” is, but trust me, we do it better!

21. Sweet tea goes with anything.

22. Cats only want attention when you are sleeping, reading, writing a paper, or doing chores.

23. By the way, my cat is a rock star.

24. Reading is fundamental, but math will get you the high paying jobs.

25. There is beauty in imperfection.

26. Growth only comes through change; or eating tons of chocolate.

27. Everyday you should reach out and touch someone, just be prepared to be slapped.

28. It is more important to be lovable than loved.

29. In order to get along with your obnoxious, elitist, know it all of an neighbor, pretend they’re someone else’s.

30. Robert Frost was right, “Life goes on.”

It’s OK if in 2014…

Your New Year’s resolution doesn’t get any deeper than conditioner . …If Pier One Imports is your happy place. ..to secretly crave Godiva chocolate, horde Godiva chocolates and hide Godiva chocolates from your family’s grubby little hands (They’re mine I tell you. MINE) …if you read Fifty Shades of Grey and liked it. (I mean I didn’t of course, but if you did it’s OK..No shame. ;)) …If you secretly long to be a warrior princess but are more of a nerdy chick who gets lost in her own head and parking lots …to be a little freaked out by escalators. (Escalaphobia is real, people. Down with judgment …up with awareness.. down with misconceptions…up with facts…is anyone else dizzy?) …It’s also OK to love without conditions …to dream without limitations … to hope without expectations and to live without fear.

(It’s not OK to shorten words into monosyllables…I mean that’s  just cray, bae..kay?)

10 Compliments We Women Never Tire of Hearing

 

10 Compliments We Women Never Tire of Hearing

1.   I love your Jimmy Choo shoes.

(Payless actually, but thanks.)

2.   You’ve lost weight.

(My winter clothes work wonders.)

3.   You’re a culinary master.

(I call my technique take out.)

4.   You’re a natural beauty.

(Thanks. It took me an hour to perfect this look.)

5.   Are you a dancer?

(My best move is tripping up the stairs.)

6.   I could listen to you talk for hours.

(Good, because I have a litany of items to discuss.)

7.   You’re so witty.

(Ugh, the pressure!)

8.   You look so Italian?

(Grazie mille!)

9.   Your mind is a thing of beauty.

(It is, isn’t it?)

10.               You were right.

(Told you so)

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Dear Santa, I can explain everything.

Oops, wait, you guys weren’t meant to see that.:)  I do hope you will take moment to read what follows.

Christmas, either the lightest of light or, heaviest of dark..for all those with weeping souls and wounded spirits..my heart is with you.

May the spirit of Christmas find us.

Let it be a balm of comfort and peace,

a vessel for love and giving,.

a beacon of hope and renewal.

May it reside in our hearts eternally.

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 Merry Christmas!

Not Just a Girl.

 
Inside she is sunshine.

An innocent girl.

Full of dreams.

Her whole life ahead of her.

The world at her feet.

Out on the street

In the late summer heat.

Men with wicked schemes.

She meets

They have her in their reach.

Sadness and horror they teach.

Selling her to the highest bidder.

Money they will keep.

Binding her in chains.

A sex slave they seek.

Breaking her spirit.

Crushing her soul.

Taking her humanity.

All for gold.

Inside she is broken.

A heart that just a shell.

Her body void and empty.

Her life a living hell.

The terror gets worse.

Fear it grows.

Brutality all she knows

Can anyone hear her?

 
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She is only 12 years old

 

 

Join in the fight against Modern Day Slavery. You can make a difference.  
 

Ode to My Cat.

The silliest of silliest..

Not Quite-The Cat in The Hat….

My cat can rock, My cat can roll.

He knows how to keep with the beat.

Dancing around in the streets.

My cat can recite Shakespeare with ease

You see, he’s fluent in  CATionese

My cat is king of all he surveys.

Mostly, he’s surveys his food bowl.

My cat  is an expert at snoozing.

Who knows.. perhaps,  he’s been boozing.

My cat is the greatest of muses.

Poets and writers he inspires.

My cat is cool…the coolest of the cool.

He’ll snort his nip. And not give a …sh…..amen

My cat is a saint and a sinner.

His whole world revolves around dinner.

My cat is a superior

Just look at his posterior.

My cat is the greatest.

And now it been stated.

My cat will never be overrated.

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This nonsense brought to you by-Crazy Cats Ladies Everywhere and Yours Truly.

Happy Holidays!! May your turkeys and stockings be stuffed. The love and wine ever flowing. and may Santa find you being naughty and nice. xo

The Art of the Matter.

Is there a proper focus for understanding, and evaluating, the arts? Which is more important, the characteristics of the artist, as Tolstoy would have us believe, the actual work of art itself, or is it how the audience appreciates the art work?  We might argue that art is about all three of these potential interpretations and that each plays a fundamental role in what makes art, art.

If we were just to look at the artist and his, or her, perceptions we would have to consider that there were different elements up for debate; the first one being the intention of the artist, and what they were trying to convey through their art. Our concerns arise here when the audience interpretation of the artist’s work is different from what the artist was actually trying to say. Does this invalidate the work? We could argue that it does not, and that most critics would say that as long as the audience gets something out of art, then it has not been created in vain. However, this begs the question of should we even consider the artist’s intentions? Further, if we then discover new facts about the artist, should they alter our perception of the artist’s work? For instance, the author of Harry Potter, J. K. Rowling, has said that in her mind one of her characters if gay.  If one now goes back to re-read Harry Potter but still does not identify the gayness of the character, should we then just accept the artist’s views? Or, is it reasonable for us to assert that we do not perceive the character as gay? We would contend that is reasonable to assert that we do not perceive it. Art is subjective, and we believe that it is within the subjectivity of such aesthetic works, and the illusions that are conjured up in art’s mysteries, that hold the enchanting beauty of its magic. The fact that two people can perceive something entirely different from the same piece of work is, arguably, a dimension that demonstrates a free will that encourages us to, somewhat obliquely, consider the Robert Frost poem The Road Less Traveled: and how taking the road less traveled makes ‘all the difference’ to our journey.

 Another dimension of art that is up for debate is the social content, and what role it should play in art.  Some would argue that knowing the meaning, and the message, that the artist is trying to convey with their work is the crucial element of understanding the work. Some would contend that it is this dimension of art that gives the work its vitality and soul. Others would assert that the social content should not be the focus, but the art work itself. 

Some would offer that it should not be about the artist but the art work and that, social content, and therefore, arguably, cultural values, are not an important factor. However, the acknowledgment, appreciation, and awareness of social content in art, we would argue, can enhance an aesthetic work and, possibly, take us to a deeper level of understanding: recognizing the humanity in art is vital to understanding the humanity in ourselves.

Margaret MacDonald, an artist herself, had a lot to say about art.  She felt that to fully appreciate art one had to become an active participant in the art itself. She felt that to just merely look at a piece of art and pick out a good, or bad, feature was to miss the bigger picture. She argued that it is not, simply, enough to just pick out what we like, and do not like, about a piece of art, and that to do this  limits us: the limit is manifested in that we will, eventually, in probability, run out of things to say about the particular piece of art work. 

MacDonald writes that there is always more to say about art, because art is always evolving and changing. The meaning of art shifts through time because the interpreter changes.  A piece of art can mean different things to different people at different times in history because the appreciator also experiences change and evolves. That is to say that someone who is reading Hamlet today, perchance, may not interpret it the same way as someone reading Hamlet during Shakespearean times. Or that the Mona Lisa smile does not change, but over time our interpretation of her smile can change: the De Vinci code drifts JL. According to MacDonald, the best way to enjoy art, and feel art, is for the interpreter to put a part of himself, or herself, in the art.

Critics of MacDonald would be quick to point out that she puts too much emphasis on the interpreter and not enough on the art itself and that it, arguably, cannot be the case that whatever one believes about a work of art makes it a truth.  Which is more important then, the tension between the interpreter and the art or the artist intention? Why does either one have to be prioritized as more significant than the other, or more important? Why can art not be a collaboration of both the artist and the appreciator? After all is it not an aesthetic impulse to interpret art after we perceive it?  All dimensions of interpretation, we would offer, seem equally important. Art for art’s sake is a nice concept, but art should be shared and appreciated by all of humanity.

Tolstoy wrote that ‘Art is a human activity which has as its purpose the transmission to others of the highest and best feelings to which men have risen. Nietzsche argued, in The Birth of Tragedy, that art was the only justification for life. Perhaps if we, subtlety, bring the perceptions of these great writers together, for a moment, we can see that art is a shadow dancing within in a silhouette in search of the possibility of a harmony for humankind.

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